Tuesday, April 26, 2011

Sojourn Music Release Inspirational Album "The Water And The Blood: The Hymns Of Isaac Watts


Sojourn Music Release Inspirational Album "The Water And The Blood: The Hymns Of Isaac Watts"


Hollywood, CA-April 26, 2011-It is significant that Sojourn has released their new indie Christian album The Water and The Blood: The Hymns of Isaac Watts two days after Easter. Their seventh recording is timed perfectly to appreciate, reflect, and find more meaning in the sacred holiday.

The Water and The Blood: The Hymns of Isaac Watts takes you through hymns that have a distinct Roots/Americana feel to them while communicating a universal message to their audience. Musicians with backgrounds in jazz, country, pop, and punk rock came together for a common cause while seeking to serve the Church with meaningful contemporary music.

Since launching in 2000, Sojourn Music has recorded 7 albums of original music, including the critically-acclaimed album Before the Throne. Sojourn’s music is very powerful. The members of the band come from a church with three campuses in Louisville, with 2500+ people gathering on Sundays for worship.

The musicianship on The Water and The Blood: The Hymns of Isaac Watts is exceptional, which gives their message more of a universal touch point for those that have not been exposed to their unique brand of Christian artistry. Every word is felt on the recording because the vocals are on par with the music, making for a touching blend of spirit compelled with the belief that a positive message simply cannot be ignored.

The Water and The Blood: The Hymns of Isaac Watts is available on CD, Digital format and vinyl LP.

“We’re excited to release this new collection of hymns. It’s music that comes from a real sense of community and faith, connecting emerging generations from the 300-year-old work of the father of the English hymn. We can’t wait to introduce you to Isaac Watts,” states Michael Cosper, Pastor of Worship and Arts for Sojourn Community Church.

Visit the Sojourn website for updates, media and more in depth biographical information on the band and their upcoming events. You can also preview a video that describes “The Water and The Blood: The Hymns of Isaac Watts” here: http://www.youtube.com/watch?v=pv4BBvVZROk


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For more information about Sojourn Music, please contact Miles High Productions:

Miles High Productions • (323) 806-0400 • chip@mileshighproductions.com

Thursday, April 7, 2011

TRACY NELSON'S "VICTIM OF THE BLUES" ON DELTA GROOVE RECORDS HEARKENS TO EARLIEST BLUES INFLUENCES


FOR IMMEDIATE RELEASE
February 9, 2011

TRACY NELSON’S VICTIM OF THE BLUES
ON DELTA GROOVE RECORDS
HEARKENS TO EARLIEST BLUES INFLUENCES

When Nelson’s home was destroyed by fire, firefighters announced
they could save only one room. Nelson pointed to the studio.
This is the album that survived.

CD, due out April 19, features Marcia Ball, Angela Strehli, John Cowan
and Jimmy Pugh
LOS ANGELES, Calif. — She has one of the signature voices of her generation. That natural gift has always guided Tracy Nelson’s soul; indeed allowed her to both write and seek out the deeper songs regardless of niche or genre. A fierce singer of truth, a fountain of the deepest heartache, she is an ultimate communicator and has regularly destroyed audiences across decades of performing. Rolling Stone asserted, “Tracy Nelson proves that the human voice is the most expressive instrument in creation.” With Victim of the Blues (Delta Groove), her 26th album in just over five decades, she has circled fully, back to the original music from South Side Chicago that mesmerized her teenaged mind in the mid-1960s. The album is slated for April 19, 2011 release.

“Several years ago,” Nelson reveals now, “I was driving with a friend across Montana, tooling down I-90 hauling a 1962 Bambi II Airstream trailer, the one that looks like a toaster. We were making a trip to Hebron, North Dakota where my grandfather homesteaded and built up a 2000+ acre ranch which he sold in the early ’60s.” The current owners were about to tear down the old claim shack and she wanted to go back there one last time. The car windows were down and national blues DJ Bill Wax was on XM Satellite Radio — the great Otis Spann’s “One More Mile,” from his 1964 Prestige album, rolled out of the truck speakers. “It had always been a song I wanted to do” Nelson recalls, “and that started me thinking about all the great Chicago blues songs and artists I had heard in my formative years, especially Muddy Waters and Howlin’ Wolf. This was around the time I made my first record, Deep Are the Roots.” She thought too of just a few years ago when she was touring nationally as part of a well-known Chicago blues revue, playing a lot of blues festivals. “The music I heard back in the day in Chicago and what I was hearing from the current crop of blues acts bore little relation to each other.”

From that memorable day in the Badlands hearing “One More Mile,” she decided it was time to make a record with, she says, “some of those fine old songs and be as true and authentic to the style as a Norwegian white girl (is that redundant?) from Wisconsin could manage it.” The new album, Victim of the Blues, is a hand-picked collection of songs, most written by Nelson’s early heroes: Muddy Waters (“One More Mile”), Jimmy Reed (“Shoot Him”), Percy Mayfield (“Stramger in My Own Hometown”), Lightning Hopkins (“Feel So Bad”), Joe Tex (“The Love You Save”) and Howlin’ Wolf (“Howlin’ for My Baby”). She has chosen 11 songs of the day, ones that were spilling out of AM radios from second-story apartments, rolled-down car windows, and live from darkened clubs with exotic names like El Macambo.

Nelson’s listening education began in the early 1960s when, while growing up in Madison, Wisconsin, she immersed herself in the R&B she heard beamed into her bedroom from Nashville’s WLAC-AM. “It was like hearing music from Mars,” she recalls of the alien sounds that stirred her so. As an undergrad at the University of Wisconsin, she combined her musical passions singing blues and folk at coffeehouses and R&B at frat parties as one of three singers fronting a band (including keyboardist Ben Sidran) called the Fabulous Imitations. She was all of 18. In 1964 she went to Chicago to record her first album, Deep Are the Roots, produced by Sam Charters and released on Prestige Records.

A short time later, Tracy moved to San Francisco and, in the midst of that era’s psychedelic explosion, formed Mother Earth, a group that was named after the fatalistic Memphis Slim song (which she sang at his 1988 funeral). In 1968 the band recorded its first album, which included Nelson’s own composition “Down So Low.” It became her signature song, called by Esquire magazine “one of the five saddest songs ever written.” It has been regularly covered by great women singers through the years, including Etta James, Linda Ronstadt, Maria Muldaur and, in 2010, Cyndi Lauper, who chose it for her own Grammy-nominated blues album.

In 1969, the second Mother Earth album, Make a Joyful Noise, was recorded in Nashville, leading Tracy to rent a house and later buy a small farm in the area where she still lives today. As a side project, she soon recorded Mother Earth Presents Tracy Nelson Country for which she coaxed Elvis Presley’s original Sun-era guitarist Scotty Moore to co-produce (with Pete Drake). After six Mother Earth albums for Mercury and Reprise Records, Nelson continued to record throughout the ’70s as a solo artist on various labels. In 1974, she garnered her first Grammy nomination for “After the Fire Is Gone,” a track from her Atlantic Records album, a hit duet with Willie Nelson that Tracy reprised on her 2003 album, Live From Cell Block D.

The highlight of Nelson’s tenure with Rounder Records throughout the 1990s was surely Sing It!, the brilliant, big-selling 1998 album starring Nelson, swamp blues/rocker Marcia Ball and soul queen Irma Thomas. And drawing from the recent albums she did with Memphis International, Nelson gave fans worldwide the chance to hear her live (in the great jailhouse album tradition of Johnny Cash and B.B. King) when she released Live From Cell Block D, recorded at the West Tennessee Detention Center in Mason, Tennessee. It was a profound experience for her and reinforced “the value of sharing music in every venue imaginable.”

In late July, 2010, Nelson was featured on NPR’s “Weekend Edition,” a little more than a month after the tragic fire that took the 100+ year old farmhouse she shared with longtime partner Mike Dysinger. She was just beginning to deal with the aftermath of losing her home and many of her personal belongings. “The firemen told us they could save one room — we had to decide — we said ‘the studio.’” This album, Victim of the Blues, is the album that miraculously survived the fire. And that is the reason that the first people Nelson thanks in this album’s notes are the Burns, Tennessee Volunteer Fire Department.

To date, there have been several benefits across the country to assist the two in rebuilding their farmhouse on the land they love. Seeing as how her first Grammy nomination was for “After the Fire Is Gone,” with Willie Nelson, she would say drolly, “It seemed like the perfect thing to call these events.” Nelson had titled this album before the fire, so the irony is not missed on her. Victim of the Blues is as deeply felt as anything she has recorded in her exceptional career. She is a soul survivor.
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For more information about Tracy Nelson, please contact Miles High Productions:
Miles High Productions • (323) 806-0400 • chip@mileshighproductions.com

Friday, April 1, 2011

KELLYLEE EVANS wins 2011 Juno for Jazz Vocal Album of the Year

KELLYLEE EVANS WINS 2011 JUNO AWARD

Kellylee Evans has won the 2011 Juno Award for Vocal Jazz Album of the Year. The album, entitled Nina (Plus Loin Music), is a tribute to jazz great Nina Simone. Other nominees for the 2011 award included Emilie-Claire Barlow, Nikki Yanofsky, Laila Biali and the late Jeff Healey. This was the Ottawa-based singer-songwriter's second Juno Award nomination and first win.

"It was an honour to be nominated alongside such talented artists," said Evans. "And I am extremely grateful to have won the award with an album that pays tribute to Nina Simone."

Evans recorded Nina in France in November, 2009. French label Plus Loin Music had invited Evans to spend two days in their studio. Shortly after its release, Nina reached the top of the iTunes Jazz charts. The album received critical acclaim and soon Evans was earning accolades for her charismatic performances as she toured the album. In February 2011, Evans was nominated for 2011 Juno Vocal Jazz Album of the Year. She is at work planning her follow-up release slated for 2012.

Evans, who in 2010 also released an alt-soul album of originals titled The Good Girl, was a 2007Juno and Gemini nominee and was awarded second place in the Thelonious Monk Jazz Vocals Competition in 2004 by judges Quincy Jones and Dee Dee
Bridgewater. Evans has toured North America and France opening for such luminaries as Tony Bennett, George Benson, Maceo Parker, Sharon Jones and the Dap-Kings, Chris Botti and Derek Trucks.