Showing posts with label lonesome day records. Show all posts
Showing posts with label lonesome day records. Show all posts

Thursday, August 21, 2014

SHOTGUN HOLLER SIGNS TO LONESOME DAY RECORDS Debut Album Mixes Traditional Bluegrass With A Modern Alternative Edge


(LEXINGTON, KY) - It's not often that a bluegrass band comes around sporting tattoos and singing about things that some radio stations of that genre might find a bit too left of center. But that's exactly what Randall Deaton liked about Shotgun Holler, the new five-piece bluegrass band with an edge hailing from all over Kentucky, when he signed them to his Lonesome Day Records this month.

"They are willing to tackle subject matter that is often shied away from in bluegrass music," says Deaton, who has known the band's co-founder and mandolin player Shawn Brock since before he launched his label in 2002. Brock actually performed guitar and mandolin on Lonesome Day Records' very first release by Sam Wilson and will also appear on the Bob Seger tribute record, Silver Bullet Bluegrass, which will be released later in the year. “Sean’s one of the most talented people I know,” adds Deaton.

On signing with Lonesome Day Records, the 33-year-old Louisville, KY-based Brock says, Lonesome Day is not afraid to take a chance. They are not into censorship. They don’t mind being on the cutting edge and trying something different. Lonesome Day is a very reputable label that has a very successful track record in placing new artists on the top and keeping established artists on the top and that’s where we are striving to be.

The subject matter tacked on the band’s forthcoming debut full-length album dives into some darker topics not usually heard in traditional bluegrass music, such as drug addiction and prostitution. “We don’t really fit the typical bluegrass mold of today,” explains Brock. “Instrumentally we are pretty recognizable as bluegrass. We’re using the traditional bluegrass instruments-banjo, guitar, upright bass, mandolin, and fiddle. Where we tend to cross into other areas is the material that we choose, which can be very non-traditional. Lyrically, all the songs aren’t necessarily wholesome.”

One such song is the original 1930’s Washboard Sam version of the “My Bucket’s Got a Hole In It” popularized later by Hank Williams. “We do the Washboard Sam lyrics, which are totally different than Hank’s.” One verse says, ‘They ain’t standing on the corner/Everything was so slow/Can’t make no money/Tricks ain’t walking no more. Another verse says, ‘Gonna sell moonshine in the day/An peddle dope all night.’ This is not what you hear on the radio today, though the song was written in the depression era. These things happen, but they aren’t sung about. We carry all the news, both good and bad. However that song doesn’t necessarily represent the project as a whole. Three band members love to write, and along with material from other writers, we are cutting 8 original tunes.”

It was one fateful day listening to the radio that inspired Brock, a long-time session musician who also has two jazz albums under his belt, to start Shotgun Holler in February of this year. “I was listening to a bluegrass radio station and it was kind of like a volcano was building up inside of me. It seemed like people were cutting this watered down sterile material singing about the same subject matter and no one is trying to sound different. I listened to five songs and couldn’t tell one artist from another. I have been playing bluegrass for 23 years, and in the 90’s I knew every artist who came on just by their sound. Blue Highway had a great distinctive sound, which was vastly different from the classic sound of the Bluegrass Album Band. Both are favorites of Shotgun Holler members, but each unit had their own thing going. I called friend, and former band member from the group Blue and Lonesome, Matt Jones and I said, ‘I’m sick of hearing singers and pickers imitate each other and cover songs that were just recorded three years ago. Lets put and band together and do what we’ve always tried to do-be different.’ His words to me were, ‘Man, I’ve just been waiting on you.’ From there, the two co-founders, Brock and Jones – who takes on lead vocals and guitar for the group – put a band together featuring seasoned players Gil Benson (fiddle), Rod Lunger (bass and vocals), and Donnie Stevens (banjo and vocals). With their impressive resumes, they were able to book shows before the band even had their first rehearsal.

Shotgun Holler will hit the studio on August 22 at Lonesome Day Studio in Booneville, Kentucky, with noted producer and Mountain Heart founding member Jim Van Cleve at the helm.  Van Cleve has produced award winning projects spanning a variety of genres for acts such as Mountain Heart, Newfound Road, Del Shields, Celebration of Life II (Musicians Against Childhood Cancer), Annabelle Road, his own Grammy Nominated solo project, and the IBMA Awards Show Theme, among others.

"We've all known Jim through is work and watched him rise through the ranks. Jimmy is at the forefront of the progressive edge, which is where we strive to be.  Lyrically this will be in territory that Jimmy has not been in before, but instrumentally it's still very edgy, very modern bluegrass which is a specialty of his," says Brock.

Sunday, May 11, 2014

LONESOME DAY RECORDS READIES A FULL RELEASE SCHEDULE THROUGH 2015

LONESOME DAY RECORDS READIES A FULL RELEASE SCHEDULE THROUGH 2015
Silver Bullet Bluegrass: A Tribute to Bob Seger Slated for August

(Booneville, KY) - Lonesome Day Records is having its most prolific year yet with new releases ranging from a star-studded tribute record to blue-collar rocker Bob Seger to bluegrass stars Tim Shelton, Richard Bennett, Jeff Clair, and Jeff Parker to rock singer/songwriter Sarah Borges and more.
Earlier this year, the Booneville, Kentucky-based label released Boston Music Awards winners Girls Guns And Glory's Good Luck, in February. Good Luck has recently reached Top 15 on the American Airplay Chart and Top 10 on the Roots Music Report, and has received rave reviews from the press. No Depression recently wrote, "If there is any justice, Good Luck will transform the winners of six Boston Music Awards into a national act," while The Day newspaper in New London, Connecticut called Good Luck "the band's finest work."
Next on deck is bluegrass artist Richard Bennett's In The Wind Somewhere, which is due May 27. Bennett's fifth solo release features Mark Schatz (Nickel Creek, Emmylou Harris, LindaRonstadt), IMBA Mandolin Player of the Year Adam Steffey, celebrated fiddler Ron Stewart, and Sean Lane of the Grammy-nominated band Blue Highway on tenor vocals. The record was recorded at the Lonesome Day Studio Booneville, Kentucky, and mixed by Grammy Award winning engineer Brandon Bell.
On June 24, newly signed rock singer/songwriter Sarah Borges will see the release of Radio Sweetheart, her first solo record since disbanding Sarah Borges and the Broken Singles. "I'm really proud of this record. I wrote songs that felt important to me. It doesn't feel like a new me, but it feels like the old me is finally back," says Borges.


The finishing touches are being put on Silver Bullet Bluegrass: A Tribute to Bob Seger, which is tentatively slated for an August release. The compilation features many artists on Lonesome Day Records' roster, as well as American Idol Season 4 runner-up Bo Bice, and singers from the bands Blue Highway, Wildfire, Mountain Heart, the SteelDrivers, and the Boxcars.


"This is a project that I have been wanting to do for a long time, and it is all bluegrass. One of our goals with this record is to make it very easily recognized as bluegrass, and also very palatable to the bluegrass listener. It is not a 'hot pickin' record; the focus is on the songs and the singers, and the arrangements stay fairly true to the originals. These are legitimate versions of great songs that will have some of the best singers in bluegrass contributing to them," Lonesome Day Records owner Randall Deaton recently told Bluegrass Today.


Another release eyed for a potential fall release is a new record by bluegrass artist Jeff Clair, which will start production soon under the helm of country singer Gary Nichols of the SteelDrivers. "I met Gary at the bluegrass festival Rudyfest in Kentucky and we kept in touch. I was a big fan of the SteelDrivers and thought Gary was an excellent singer and was happy to get him on the Bob Seger tribute. He had expressed an interest in producing more and asked if I had any artists. I mentioned Jeff so Gary looked him up on YouTube, they had a few conversations and hit it off, and now here we are," says Deaton.


Meanwhile, Jeff Parker, a bluegrass music stalwart known for his timeless singing and virtuoso mandolin skills and member of Dailey & Vincent, starts production on his next record on April 28. A fall release is planned.


Additionally, Tim Shelton, who fronted Newfound Road on Rounder Records for years, will also begin production soon - sometime this summer - with Paul Kolderie (Girls Guns And Glory, Phish's Mike Gordon) at the helm for an early 2015 release.


Silver Bullet Bluegrass track listing (not final):
1.    Tim Shelton, "Against the Wind"
2.     Girls, Guns and Glory's Ward Hayden, "Betty Lou's Getting' Out Tonight"
3.     Blue Highway's Tim Stafford, "Even Now"
4.     Wildfire's Robert Hale, "Feel Like a Number"
5.     Darrell Webb, "Long Twin Silver Line"
6.     Mountain Heart's Josh Shilling, "Mainstreet"
7.     Larry Cordle, "Night Moves"
8.     Bo Bice, "Ramblin' Gambling Man"
9.     Jeff Clair, "Roll Me Away"
10.   The SteelDrivers' Gary Nichols, "Turn the Page"
11.   Jeff Parker, "We've Got Tonight"
12.   The Boxcars' Keith Garrett, "You'll Accomp'ny Me"

BLUEGRASS ARTIST JEFF CLAIR TAKES ON ROCKER BOB SEGER

BLUEGRASS ARTIST JEFF CLAIR TAKES ON ROCKER BOB SEGER
Touring Continues in Support of His Critically-Acclaimed, They Called Him Jesus
Set to Go Back Into Studio With Gary Nichols For New Album

(Booneville, Kentucky) - As Lonesome Day Records bluegrass artist Jeff Clair continues to crisscross America on tour in support of his latest release, They Called Him Jesus, the Kentucky-bred artist has taken time out of his busy schedule to record a Bob Seger classic for a forthcoming tribute album to the Silver Bullet man.

Clair's contribution to Silver Bullet Bluegrass, which will be released on Lonesome Day Records later this year, is the track, "Roll Me Away" from Seger's 1982 album "The Distance." The album is in its final stages of production and also features contributions from Josh Shilling (Mountain Heart), Tim Shelton, Jeff Parker, Keith Garrett (The Boxcars), and Ward Hayden, the singer of Lonesome Day Records rockers Girls Guns And Glory.

"This is a very tasteful tribute that will showcase Seger's songs, as well as the great voices that are in bluegrass," says Lonesome Day Records owner Randall Deaton, who founded the label in 2002. As for Clair's track, the artist says,"I'm excited to be part of Silver Bullet Bluegrass. Bob Seger is such an icon in the music industry and to be asked to do 'Roll Me Away' on the tribute is a big honor. Seger has such a unique voice and his music is a departure from the straight ahead bluegrass that I have done in the past but I was glad for the challenge and Randall's confidence in my ability to expand into other genres. "

Clair is also getting ready to start work on a new record that will be produced by Muscle Shoals native and former Mercury Records artist Gary Nichols (The Steel Drivers). Brought together by Randall, who has known Clair since he was 13 years old and who met Nichols at Rudyfest about a year ago.  He notes "I was wearing a Sun Records T-shirt and Gary thought that was unusual for a bluegrass festival. He came over and we started talking." Nichols, backed by The Steel Drivers band, also contributed a song to Silver Bullet Bluegrass.

Of the artist's musical direction, Randall says, "Jeff's on a mission to make bluegrass music with lyrical content that is more relevant to society today than what is found in a lot of bluegrass music. Jeff is from Eastern Kentucky and can relate to the lyrical content of traditional bluegrass songs because he grew up in the culture, but he also knows that if you are going to connect with people today you have to sing about topics that they can relate to."

Bluegrass Today.com has been singing the artist's praises as well, describing "They Called Him Jesus" as "soulful, old-style bluegrass music."

"When I set out to make this CD, I wanted to make a CD that included both classic songs and some new material but I wanted to maintain the traditional sound and I think we were able to accomplish that with this album. The title cut is an original that I wrote just prior to recording the album and there are cuts from, Ozzie Thorpe, Tom T. and Dixie Hall, Bob Gilbert, Judy Marshall, Larry Sparks and others," Clair told Bluegrass Today.

Clair's bluegrass roots run deep. As a child, his father would take him to concerts in Jackson, Kentucky, where he's from, and introduced him to such greats as Larry Sparks, Dave Evans, Ralph Stanley, and Sam Wilson. "I grew up listening to this style of bluegrass and when I started performing on my own, naturally I played a style that is heavily influenced by these artists," he told the publication.

When Clair isn't busy making music or touring, he volunteers his time and talent with the Appalachian Service Project (ASP), an organization which benefits low income families in the Appalachia area, including repairing homes and improving the living conditions of those less fortunate.

"Appalachian Service Project provides a great service to the people in our region and they should be commended for it," explains Clair, who has been volunteering for 15 years. "Providing an educational concert for the volunteers is my way of thanking them for all they have done to help the people of Appalachia. In addition to making lifelong friends and meeting thousands of people we have had the opportunity to present bluegrass and traditional music to an audience that may have not heard this style of music otherwise. Many of the volunteers come from hundreds of miles away and I'm glad we had the opportunity to introduce all of them to bluegrass music and bring in new fans for the music."

Jeff Clair tour dates (more to be announced):

March 29, Clay City, KY, Meadowgreen Park Music Hall
April 3, Hazard, KY, Coal River Grille
April 12, Vest, KY, Beckham Combs Community Center
June 7, Hallie, KY, Line Fork Community Center
June 20, Cedar Bluff, VA, Southwest Virginia Community College
June 21, Beattyville, KY, private party

Sunday, April 13, 2014

BLUEGRASS MASTER RICHARD BENNETT READIES NEW RECORD In The Wind Somewhere Drops May 27 via Lonesome Day Records

BLUEGRASS MASTER RICHARD BENNETT READIES NEW RECORD
In The Wind Somewhere Drops May 27 via Lonesome Day Records



Preview two tracks from In The Wind Somewhere 
with these links to streaming music.
Advance hard copies of the album are available upon request.









           
           It’s one thing for an artist to feel like his latest musical endeavor is his best, but when you’re a music veteran with a mile-long resume, decades of recording and performing experience, critical acclaim, and more recordings than one can count, it’s quite a statement to say, “This is my favorite record I’ve ever done.”

            Such is the case with bluegrass star Richard Bennett of his forthcoming new release, In The Wind Somewhere, which is due May 27 via Kentucky-based Lonesome Day Records. “It just feels good,” says Bennett of his fifth solo release.

            Lonesome Day Records owner Randall Deaton couldn’t agree more. “I think this is Richard’s strongest work of his career,” says Deaton. “And it was recorded in an old fashioned way where all four of the musicians sat in the same room with no headphones and just played music.  Each take had to be just right because there was no going back and fixing.”

            On In The Wind Somewhere, Bennett skillfully mixes his considerable traditional bluegrass chops with songs that expand and transcend the genre in an exciting contemporary fashion. “I want to let the people hear something new,” he says.

           Joining the singer/songwriter/guitarist on In The Wind Somewhere are a group of stellar musicians, including Mark Schatz (Nickel Creek, Emmylou Harris, Linda Ronstadt), IMBA Mandolin Player of the Year Adam Steffey, celebrated fiddler Ron Stewart, and Sean Lane of the Grammy-nominated band Blue Highway on tenor vocals. The record was recorded at the Lonesome Day Studio Booneville, Kentucky, and mixed by Grammy Award winning engineer Brandon Bell.





            The album features a graceful and affecting take on Sting’s “Fields of Gold,” a jazz-inflected solo instrumental version of the Beatles’ “Yesterday,” and a spry and swinging Appalachian mountain-flavored cover of the Marshall Tucker Band song “Fire on the Mountain.” On his version of Tom Paxton’s folk classic “The Last Thing on My Mind,” his long-time pal and acoustic guitar icon, Tony Rice, enriched Bennett’s luminous double flat-picking.

            Elsewhere on the album, Bennett epitomizes the soul of old-school bluegrass on “Stronger Every Day,” harks back to the Celtic folk roots of American country, folk and mountain music on “Georgie,” renews the newgrass revolution of the 1970s on a take of folk music heroine Kate Wolf’s “Across the Great Divide,” and musically summons up the swirling forces of nature on his self-penned opening title track. The album is deliciously capped by a sublime reading of bluegrass pioneer Bill Monroe’s landmark song “Wayfaring Stranger” on which Bennett and Rice engage in breathtaking guitar interplay (as they also do on the hidden track that follows, “Home Sweet Home”).





 
About Richard Bennett: Richard Bennett hails from Johnson City, Tennessee. A strong and versatile guitarist, he performed with his own band, Richard Bennett Band late ’70s thru late ’80s era. He joined as the lead singer and guitar player for J.D. Crowe and New South 1990 thru 1995 and is included on several of the recordings during this time, including their Grammy award winning record, Flashback.  1996 thru 1997 found him with Lou Reid and Carolina. In 1998, Richard branched out with the trio featuring Jimmy Guadreau and Mike Aldridge where he remained for four years.  One of his most prominent jobs was filling in for Tony Rice in The Tony Rice Unit and The Bluegrass Album Band from the mid to late ’90s. Along the way, Richard has released four solo albums and has worked with the most esteemed acts in bluegrass and country/folk music.



About Lonesome Day Records: Randall Deaton as a family-run business started Lonesome Day Records in 2002. The name Lonesome Day Records was chosen from the title of a Bruce Springsteen song from the album The Rising. Randall grew up on a small farm in Kentucky instilled with a strong work ethic and a passion for music that has kept him rockin’ for the past 20 years. Playing in bands throughout high school and college, he earned a degree in business administration and a minor in political science while wielding a guitar and mandolin. Fifteen years ago he turned his attention towards audio engineering and converted an old church into his temple - a recording studio. That studio has since expanded and spawned Lonesome Day Records which has released top-ranking records for the likes of Ralph Stanley II, Larry Cordle, and Fred Eaglesmith among other prolific artists from bluegrass to country.