Showing posts with label gospel. Show all posts
Showing posts with label gospel. Show all posts

Wednesday, July 8, 2015

Tim Shelton pays tribute to songwriting hero with "Jackson Browne Revisited," his post-NewFound Road solo debut on Dry Lightning Records!



Tim Shelton Pays Tribute to Songwriting Hero with Jackson Browne Revisited,
His Post-NewFound Road Solo Debut on Dry Lightning Records

Renowned gospel and bluegrass artist expands musical palette with 12-track release

DAYTON, Ohio — There’s hardly a recording artist on the planet who hasn’t done at least a few cover tunes in homage to major influences. But releasing an entire album covering Jackson Browne’s most iconic classics? If you’re gonna try that, you’d better bring it. Fortunately, Tim Shelton does exactly that on Jackson Browne Revisited, his new release on Dry Lightning Records.

Shelton, who guided the band NewFound Road from gospel to bluegrass and beyond, has left that chapter behind to pursue his other musical passions, including his love for Browne and similar songwriters. Hints of what was to come appeared on NewFound Road’s 2011 album, Live at the Down Home, on which they covered Browne’s “These Days” and songs by Tom T. Hall, Bill Withers, Dave Loggins and other icons. But on Jackson Browne Revisited, he concentrates on his biggest influence.

“Jackson Browne is one the best songwriters and musicians of our day,” says Shelton. “His music, especially the songs from the ‘70s, just speaks to my soul.”

Co-producing with Paul Kolderie (Radiohead, Warren Zevon, Hole, the Pixies), Ohio native Shelton wraps his rich vocals around 12 Browne classics, including “Doctor My Eyes” and “Somebody’s Baby.” Their arrangements impeccably capture the spirit of the beloved California folk rocker’s beautifully crafted work, while going far beyond mere re-creations of the originals.

They recorded at the Monastery Studio, owned by Ric Hordinski, co-founder of renowned Ohio band Over the Rhine. Contributors include Josh Shilling on piano and harmonies, vocalists Sonya Isaacs (the Isaacs) and Shawn Lane (Doyle Lawson, Ricky Scaggs, Blue Highway), Grammy-winning flatpicking guitarist Clay Hess (Ricky Skaggs), bassist Dave LaBruyere (John Mayer, Vigilantes of Love) and Cincinnati-based drummer Josh Seurkamp.

“I knew that I wanted to get a great band and keep it as live sounding as possible,” Shelton notes. Tracking live in the studio, they created a sonic document that breathes new life into Browne’s work, revisiting songs from his self-titled 1972 debut to 1983’s I’m Alive. They include “Take It Easy,” the Browne/Glenn Frey composition that became the Eagles’ first hit before Browne recorded it on 1973’s For Everyman. “Fountain of Sorrow” and the title tune from 1974’s Late for the Sky are here, along with two tracks from 1977’s Running on Empty — one of which, “The Road,” is the only track not actually written or co-written by Browne; it’s credited to his friend Danny O’Keefe. The closer is one of Browne’s most revered, and timeless composition: “The Pretender.”

“What I'm most proud of with this record is we were able to keep emotion in these songs, even though they're not mine,” Shelton says. “I can relate to these lyrics. Hopefully, others will dig it too.”

Jackson Browne Revisited track list
1. Doctor My Eyes
2. Love Needs A Heart
3. The Road
4. Late For The Sky
5. Something Fine
6. Fountain Of Sorrow
7. Somebody’s Baby
8. Take This Rain
9. Call It A Loan
10. Take It Easy
11. My Opening Farewell
12. The Pretender

Tour dates
June 27 – Rudyfest, Grayson, Ky. (NewFound Road reunion show)
July 9 – Beachland Park, Cleveland, Ohio
July 11 – George Rogers Clark Park, Springfield, Ohio (with Clay Hess)
Aug. 1 – Everett’s Music Barn, Suwannee, Ga.
Aug. 13 – Katherine Hepburn Cultural Arts Center, Old Saybrook, Conn.
Sept. 18 – Poppy Mountain Festival, Morehead, Ky. (NewFound Road reunion show)


Monday, March 4, 2013

WORLD-RENOWNED VOCAL ENSEMBLE SWEET HONEY IN THE ROCK ADDS SOMETHING DIFFERENT – A JAZZ TRIO! – ON NEW 2-CD LIVE SET AND UPCOMING SPECIAL SHOWS CELEBRATING MUSICAL INFLUENCES




For Immediate Release                                                                          February 26, 2013


February 26th Release on Appleseed Recordings, “A Tribute – Live! Jazz at Lincoln Center,” and Tour Dates Spotlight Quintet’s Inspirations and Versatility

Nearing its fourth decade, the internationally acclaimed, award-winning female African-American a cappella group Sweet Honey In The Rock was ready to follow its adventurous spirit and undertake a new challenge – to honor some of the seminal songs that first inspired its unique blend of folk, blues, jazz, gospel and ethnic music in a concert presentation utilizing an instrumental backing trio for the first time. Upping the ante, the singers decided to perform this special program at New York’s prestigious Jazz at Lincoln Center venue and to record their two-night appearance there in front of surprised and delighted audiences. Talk about working without a net!

In the opening moments of Sweet Honey In The Rock’s new 2-CD set, “A Tribute – Live! Jazz at Lincoln Center,” well-timed for February 26th release – concluding Black History Month and preceding Women’s History Month in March – group member Ysaye Barnwell recites a roll-call of some of the great female African-American vocalists whose songs helped shape the group and comprise much of “Tribute’s” repertoire, including Abbey Lincoln, Odetta, Billie Holiday, Nina Simone, Miriam Makeba, Carmen McRae, Bessie Smith, and Sarah Vaughan.

The songs on this recording are drawn from those two shows at Jazz at Lincoln Center’s Rose Hall in April 2011. They were subsequently performed on several additional dates, and will be featured in at least five upcoming “Tribute” shows in February and March 2013. Adorned with new arrangements by Sweet Honey’s members, there are jazz standards such as “Love Me or Leave Me,” “Wild is the Wind,” and “Tell Me More and More and Then Some,” gospel/civil rights anthems melded into a “Freedom Suite,” Afro-centric songs (the Sixties hit song “Pata Pata,” “Sabumoya,” “Shuku Shuku,” and the closing “N'diarabi/Africa is Where My Heart Lies”), show tunes, blues, and a salsa-flavored original, “Let There Be Peace.”  

Sweet Honey In The Rock’s distinctive swirl of a cappella vocals, encompassing waves of imaginative ensemble harmonies and occasional solo showcases, is heard unaccompanied, aside from the quintet’s hand percussion, on about half of the songs. Interwoven throughout the presentation are the understated instrumental contributions of the trio nicknamed “the Honey Men” – Stacey Wade (musical director/piano/keyboards), Parker McAllister (bass), Jovol Bell (drums, percussion) – who augment Sweet Honey’s exhilarating, soulful voices and confident, genre-crossing dexterity.

Founded in 1973 by Dr. Bernice Johnson Reagon at the (Washington) D.C. Black Repertory Theater Company, Sweet Honey In The Rock’s line-up currently includes returning original members Carol Maillard and Louise Robinson (Dr. Reagon retired from the group in 2004) and “long-timers” Ysaye Barnwell, Nitanju Bolade Casel, and Aisha Kahlil, as well as on-stage sign language interpreter Shirley Childress. The group has toured from Australia to Zimbabwe, performed in the White House at the request of President and First Lady Obama, accrued numerous honors (including a Grammy  and several Grammy nominations , most recently for its first CD on Appleseed, 2007’s “Experience…101”), and established itself as an inspiring, empowering musical force worldwide.

Sweet Honey’s involvement in various social justice projects makes the group an ideal member of the independent Appleseed Recordings roster, which includes significant artist/activists Pete Seeger, Buffy Sainte-Marie, and South Africa’s Johnny Clegg, among others.

Upcoming “Tribute” tour dates:
3/5/13 B.B. King’s, New York City
3/7/13 Howard Theatre, Washington, D.C.

Upcoming Non-“Tribute” tour dates:
3/8/13 Murphy Fine Arts Center, Baltimore, MD
3/9/13 Williamsburg Lodge, Williamsburg, VA
3/21/13 Kraakhuis, Gent, BE
3/23/13 Barbican Centre, London, UK
3/26/13 Royal Opera House Muscat, Muscat, OM
3/30/13 Bluesfest, Bryon Bay, AU
3/31/13 Bluesfest Bryon Bay, AU
4/1/13   Enmore Theatre, Newtown, AU
4/3/13   Hamer Hall, Melbourne, AU
5/11/13 Smothers Theatre, Malibu, CA
5/19/13 Brooklyn Academy of Music Opera House, Brooklyn, NY
7/17/13 Orange County Convention Center, Orlando, FL
8/3/13   Berkshire Choral Festival, Sheffield, MA