JAZZ SAXOPHONIST HULON RELEASES SECOND CD “AFTER HOURS” SET FOR FEBRUARY 7 RELEASE DATE

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NEW CD FEATURES HOWARD HEWITT, GEOFF MCBRIDE AND NEW RADIO SINGLE, “DO YOU FEEL ME”

Los Angeles, CA – The urban jazz styling of Hulon has returned with his newest album, After Hours, releasing February 7^th and is available on iTunes and Hulon’s website (www.hulon.com).

After the success of his debut album, First Impressions, Hulon’s newest album, After Hours, has combined passion and confidence creating Hulon’s best tracks to date. Hulon’s debut album spent 15 weeks on the Billboard Jazz Chart, peaking at #25, and featured the single “Sax on the Beach” which reached #16 on the Smooth Jazz.com Top 50 Indie Chart, and was featured on the noted jazz website AllAboutJazz.com, in addition to receiving national and international airplay at terrestrial and online radio.

The new 11 track set includes a vocal and instrumental version of the 1977 Heatwave classic “Always and Forever” and eight originals penned by Kashiwa that play to Hulon’s strengths as a soulful balladeer and a grooving R&B/funk player, with a few dashes of cool and swinging traditional jazz in the mix. Highlights include the sensual late night romance “You’re Beautiful,” the whimsical mid tempo light funk tune “Takin’ My Time,” the tropical chill of “Sticky Trickuation,” the sly, Pink Panther-esque “Speak Easy” (featuring shuffling drum, bass and finger snap rhythm) and the high octane horn-driven jam and first single from the new release, “Do You Feel Me.”

Hulon has collaborated once again with mentor, composer, producer and fellow saxophonist Jeff Kashiwa. World renowned for his years with The Rippingtons, The Sax Pack and numerous hit solo albums over the past 20 years, Kashiwa again brought in some of contemporary jazz’s most powerful and dynamic players to take Hulon’s musical game on the new collection to the next level including Dave Hooper (drums), Allen Hinds (guitar), Melvin Davis (bass) and Bill Heller (keyboards) all of whom have played key roles on First Impressions.

Yet there’s lot more to Hulon’s dynamic emergence onto the urban jazz scene than simple chart stats and the support of some of the genre’s best players. At its heart, it’s the story of a musical dream long deferred and unique connections between the spiritual and emotional healing power of music and the physical healing that Dr. Hulon E. Crayton does as a rheumatologist and founder of The Arthritis and Infusion Center, which specializes in the treatment of Rheumatological diseases as well as sports related injuries. The title of one of the tracks on After Hours, the tropical flavored groove tune, “Second Opinion” is a playful ode to his longtime profession.

Official website: http://www.hulon.com

ME AND MY SHADOW SET TO RELEASE NEW CD “SUMMER CYCLE” ON JANUARY 24 2012

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PHILADELPHIA BASED MUSICIAN BRAD PODRAY EXPLORES THE

MANY MOODS OF THE ‘SUMMER CYCLE’ ON

HIS LATEST ELECTRONIC NEW AGE RECORDING

Summertime and the musical living is easy—well, most of the time on Summer Cycle, the dynamic full length follow-up to Winter Cycle, the 2010 solo piano EP by My Shadow and I, an electronic new age project created by multi-talented Philadelphia based musician Brad Podray.

Melodic, richly textured and film score lush, Summer Cycle is an eclectic ten track chronicle of the powerful transitions and emotional breakthroughs that come months after the heartbreaking but necessary end of a relationship. A natural extension of “Bliss (End of the Winter Cycle),” the final track of the otherwise stark earlier album, the new album is released on Podray’s independent label Nonexistent Recordings.

Summer Cycle’s overriding theme of emergence matches that of Podray’s increasing presence as a force in contemporary instrumental music after years of eclectic performing and recording experiences in numerous other genres—among them, industrial metal, “Pirate rap,” alt rock and down tempo trip hop. While the Florida born musician’s rock influences range from Meat Loaf to Nine Inch Nails, his chief inspirations for his solo piano and electronic/symphonic works are Brian Eno, Danny Elfman and famed new age pianist David Lanz, whose encouraging words about the Eno-influenced self titled My Shadow and I debut led Podray to further develop his vision in this genre.

Podray had his hands full academically and creatively when sat down at his keyboard in 2009 to create the first My Shadow and I project. Having just graduated from dental school at the University of Pennsylvania, his days were consumed with his orthodontic residency at Temple University in his adopted home town of Philadelphia. At night, he let loose in two very unique bands, the pirate rap group Captain Dan and the Scurvy Crew and the downtempo trip-hop ensemble Echo Slightly—both with his best friend from high school and longtime musical collaborator Daniel Dolan. Podray had recorded numerous albums with those and other groups over the past few years (18 in all!), and even released three projects by the indie band Finding Jupiter on his label. But looking ahead, he spent his rare down time creating music he could one day use to soothe patients when he launched his own practice as an orthodontist—which he did in late 2010.

By that time, he had independently released Winter Cycle, most of whose pieces were composed about the impending end and then the aftermath of a relationship. Its piano-heavy focus reflects what he calls a sad time in his life. While the piano is still a dominant melodic voice of Summer Cycle, the project’s deeper, more evolved production textures are one of the ways Podray creates a healing, optimistic counterpoint to the stark heartbreak of winter.

Even as Summer Cycle begins rolling out, Podray is working on another ambitious project under the name Maximalism—a concept he calls the more aggressive version of My Shadow and I, with high energy distorted guitars and even more synthesizers. His is a constantly flowing creative musical mind that has no boundaries or simple genres to get entangled in for long. “My Shadow and I and Maximalism are solo projects that show a different side of my personality,” he says. “One is calm yoga-type music while the other finds me going as crazy as I can get. With both projects, I love being able to fill a sonic space without having to figure out where to fit the words in.”

Official Website: http://www.myshadowandi.com

SINGER-SONGWRITER BRANDON MCHOSE PLUGS IN AND ROCKS HARDER THAN EVER ON HIS NEW FOUR SONG EP LATE NIGHT

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FEATURES

TWO TRACKS CURRENTLY IMPACTING TRIPLE A RADIO:

“LATE NIGHT” AND “NEXT 3”

Choosing progress over comfort and musical evolution over the same old, same old, singer/songwriter Brandon McHose made two major career decisions—one musical, one geographical—over the past two years.

With two tracks from his upcoming EP Late Night currently making an impact at radio and his eyes set on a Midwest tour, both are paying off big time.

After two predominately acoustic based full length albums, he pulled a complete 180, unveiling an explosive new, electric guitar driven sound on his upcoming new four track EP Late Night. The title track “Late Night” is currently in rotation at numerous college radio stations throughout the U.S. and “Next Three” shipped to Triple AAA on November 14.

Picking up and moving from Austin after five years, McHose high-tailed it back to his home region of the Midwest, choosing Chicago for a batch of exciting new career opportunities. Since hitting “The Big Windy” in 2010, the multi-talented artist has headlined at the Hard Rock Cafe, Taste of River North Festival and the House of Blues Foundation Room, in addition to creating successful residencies for himself in neighborhood venues (like the Citizen Room) that had never had music before.

While his sizzling guitar sound and powerhouse live performances have earned him hundreds of fans throughout the city, Chicago’s thriving indie music scene is also a springboard for McHose’s latest touring endeavors along the I-35 corridor, which stretches from Northern Minnesota through his home region of Central Iowa down to Southern Texas.

McHose launched his recording career with two well received acoustic based full length albums helmed by big name producers. Life Eclipse (2007) was produced by Chris Maresch, who has played with Eric Johnson; the set featured famed keyboardist Riley Osbourne, who once played with Stevie Ray Vaughan’s band Double Trouble. Token (2008) was produced by Michael Ramos, a onetime member of The BoDeans whose credits include John Mellencamp and Los Lonely Boys.

Combining the melodically infectious, lyrically insightful vibe of classic singer/songwriters (James Taylor, Bob Dylan, Paul Simon) with a Santana/Beck/Van Halen-like ability to shred, McHose has evolved into a multi-faceted artist in the tradition of his chief influences Mark Knopfler, Eric Clapton, Stephen Stills, Jimi Hendrix and—straight from his country phase—Vince Gill and Brad Paisley.

Growing up in Des Moines, Iowa, Brandon McHose was introduced to the guitar by his father, once an aspiring guitarist himself. That’s a common story, a parent sharing passion with a child, but the guitar McHose his dad used to teach him, a 74 Les Paul, makes the history just a bit more extraordinary. His father’s eclectic music collection introduced the young musician to legends like The Beatles, Stones and The Who, but McHose says the reason he began playing more seriously was the solo he saw Joe Walsh do on VH1, in a clip from when he was with The Eagles.

McHose’s equal passion and skill in track and field earned him a full scholarship to Drake University, but he left after one year to ponder his musical future. His family sought professional advice by meeting with the Assistant Chair of the Guitar Department at the famed Berklee School of Music in Boston. After McHose auditioned, the professor’s professional opinion was that his skill and talent levels were far beyond that of a typical student; he recommended that the best road for him was not four years in college but to embark immediately on his career. McHose took this advice and chose Austin, Texas as the perfect environment to hone his craft. While making the connections necessary to launch his recording career, he worked his way up to playing live four nights a week, performing at such venues as The Saxon Pub and Threadgill’s.

“I felt that moving to a major market like Chicago would be a great step forward,” he says, “not only because of the many opportunities to perform in the city and surrounding area, but also because it’s centrally located, close to my hometown of Des Moines and a great centrally located base to tour from. That’s really where the excitement happens, up there onstage. I love feeling the energy from the crowd and trying new things with the songs and with my guitar every night.”